Killer Joe movie review & film summary (2012)

Killer Joe is known as a cop who sometimes hires out as a contract killer. His services are mentioned to Chris Smith (Emile Hirsch), a witless young man who desperately needs to find money to pay drug dealers before they kill him. He suggests to his father, Ansel (Thomas Haden Church), that they hire Joe

Killer Joe is known as a cop who sometimes hires out as a contract killer. His services are mentioned to Chris Smith (Emile Hirsch), a witless young man who desperately needs to find money to pay drug dealers before they kill him. He suggests to his father, Ansel (Thomas Haden Church), that they hire Joe to kill Chris' mother (Ansel's first wife) so they can collect on her life insurance policy. We never meet the intended victim, but she will obviously not be missed; when kid sister Dottie (Juno Temple), the youngest person in the film, overhears them, she says it sounds like a good idea. "What good is she doing anyone?" Chris asks, begging the question of what good he, Ansel and Dottie are doing anyone.

There is one more Smith, Sharla (Gina Gershon), who is Ansel's current wife, and Chris and Dottie's stepmother. Falling out of her dress, with her mascara often smudged, she could be the poster child for that underused word "slattern." She not only goes along with the scheme but may have more to do with it than anyone realizes.

The film depicts a world that is holding onto habitability by its fingernails. Filmed by the great cinematographer Caleb Deschanel, it depicts a place where a billiard parlor has one table, fires burn all night in empty oil drums, chained pitbulls bark and slather, the nights are dark and stormy, and the flat-screen TV seems to be playing the same video about monster trucks over and over again. Striking a blow for good taste, Killer Joe eventually lifts the TV over his head and smashes it to the floor.

Almost everyone gets smashed to the floor in this movie — Chris twice, by drug dealers and Killer Joe. There are a lot of broken noses, swollen purple cheekbones and bloody faces. There is also a lot of nudity and sex, and McConaughey has an eerie power in one scene where he smoothly stage-manages Dottie in her deflowering, and another where fellatio is performed on a fried chicken drumstick. The movie is rated NC-17, and rightly so, and answers the question of how much sex and violence a mainstream movie requires to earn that rating. In my opinion, the MPAA should set the bar lower. The MPAA cautions, "graphic disturbing content involving violence and sexuality, and a scene of brutality." A scene of brutality — singular? I counted six.

ncG1vNJzZmivp6x7s7vGnqmempWnwW%2BvzqZmq52mnrK4v46koKWklad6q7vEZmlpaWI%3D

 Share!